Fujifilm XF 16-55mm f/2.8 R LM WR II Review: APS-C's Best Standard Zoom
The redesigned 16-55 finally adds OIS and trims weight, making it the obvious choice for Fuji X shooters.
Head to head
A direct, no-fluff comparison: specs, pros and cons, pricing, and the scenarios where each one earns its keep.
| Canon RF 24-70mm f/2.8L IS USM | Capture One Pro | |
|---|---|---|
| Price (USD) | $2299 | $299 |
| Our rating | 4.7/5 | 4.4/5 |
| Category | camera-lenses | software |
| Pros | 4 | 4 |
| Cons | 2 | 3 |
Pros
Cons
Pros
Cons
Inferred from each camera's pros and review focus. Treat as a starting point, then read the full reviews for nuance.
It depends on what you shoot. Canon RF 24-70mm f/2.8L IS USM scores 4.7/5 in our review, while the Capture One Pro scores 4.4/5. See the spec table and use-case breakdown above for our verdict.
Canon RF 24-70mm f/2.8L IS USM sells around $2299, and Capture One Pro around $299. The Capture One Pro is the cheaper of the two.
Both are capable, but beginners usually do better with whichever has the simpler interface and more forgiving autofocus. Read the "Winner by use case" section above for our specific call.
Only if the gap in features you actually use is wide. If you already own one, the marginal upgrade is rarely worth the cost unless a specific shortcoming is blocking your work.
The redesigned 16-55 finally adds OIS and trims weight, making it the obvious choice for Fuji X shooters.
A lighter, sharper, faster-focusing 50mm GM that finally gives Sony shooters the no-compromise nifty-fifty they've been waiting for.
Lighter than the original by nearly 30%, faster-focusing, and visibly sharper. The new telephoto zoom to beat.